Krannert Art Museum: Exhibitions Guide Archive: Self-Portraiture and Mythology

Auto Focus by Bright Susan Auto Focus features a dazzling array of self-portraits by seventy-five of the world's foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identity--whether national, sexual, racial, personal, or artistic--are key to understanding the work of many of today's leading photographers. This lavishly illustrated, accessible survey is organized into five thematic chapters: diaristic and autobiographical images; pictures of the body; the use of masks and masquerade; the return to studio portraiture and the photographic album; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists' images of themselves. From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.

I Love My Selfie by Ilan Stavans; Adál Maldonado (By (photographer)) What explains our current obsession with selfies? In I Love My Selfie noted cultural critic Ilan Stavans explores the selfie's historical and cultural roots by discussing everything from Greek mythology and Shakespeare to Andy Warhol, James Franco, and Pope Francis. He sees selfies as tools people use to disguise or present themselves as spontaneous and casual. This collaboration includes a portfolio of fifty autoportraits by the artist ADÁL; he and Stavans use them as a way to question the notion of the self and to engage with artists, celebrities, technology, identity, and politics. Provocative and engaging, I Love My Selfie will change the way readers think about this unavoidable phenomenon of twenty-first-century life.

Narcissus in the Studio by Robert Cozzolino (Text by); Joe Fig (Contribution by); Sarah McEneaney (Artist); Jonathan Walz (Contribution by) Among the most popular images in the Pennsylvania Academy of the Fine Arts' rich collection are self-portraits and depictions of studio life. This publication accompanies a landmark exhibition investigating the complex nature of artistic identity. Narcissus in the Studio features texts by scholars and prominent contemporary artists whose work has tirelessly explored life in the studio. It includes an enormous selection of self-portraits and portraits of fellow artists by more than 60 major American artists from the nineteenth century to the present: Gertrude Abercrombie, Robert Arneson, William Beckman, Joan Brown, Thomas Eakins, Joe Fig, Viola Frey, Gregory Gillespie, Red Grooms, George Grosz, Barkley L. Hendricks, Sarah McEneaney, Archibald Motley, Jr., Vik Muniz, Gladys Nilsson, Jim Nutt, Violet Oakley, John Frederick Peto, George Tooker and Benjamin West.

Faces by Steven Biver; Paul Fuqua There is so much detail to be captured in a face. Cicero (106-43 BC) said: "The face is a picture of the mind as the eyes are its interpreter." To capture a person's personality, there are many things to keep in mind, and the authors ofnbsp;FACES show us how to match up a personality with lighting, posing, and composition. Portraiture is truly an art, and this book dives deep into the details so that you end up with a gorgeous portrait that both you and your subject love. Not only is this book the most comprehensive title available on portraiture, but it contains stunning images. Each image is paired with a lighting diagram, a description of why the type of image was chosen, and then takes you through postproduction to put the finishing touches on. The authors also showcase a gallery of portraits by renowned photographers.

Flying Too Close to the Sun by James Cahill The first major survey to reveal the ways in which Classical mythology has inspired art throughout the last 2,500 years From the films of Woody Allen and the Coen Brothers to Margaret Atwood's books and Arcade Fire's songs, Classical Greek and Roman myths continue to be a source of cultural inspiration. The struggles of heroes, both triumphant and tragic, with gods, monsters, and fate, exert a particular grip on our imagination. Visual artists have long expressed and reworked these foundational stories. This is the first book to unite myth-inspired artworks by ancient, modern, and contemporary artists, from Botticelli and Caravaggio to Jeff Koons and Damien Hirst.

Contemporary Art and Classical Myth by Jennie Hirsh (Editor); Isabelle Loring Wallace (Editor) Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Alÿs, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man. Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.

Norse Mythology by Neil Gaiman Introducing an instant classic--master storytellerNeil Gaiman presents a dazzling version of thegreat Norse myths. Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki--son of a giant--blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor's hammer is stolen, Thor must disguise himself as a woman--difficult with his beard and huge appetite--to steal it back. More poignant is the tale in which the blood of Kvasir--the most sagacious of gods--is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people. Through Gaiman's deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

Myths and Legends by Mari Griffith Myths and legends, with their fantastical settings and parade of exotic creatures and beautiful immortals, have inspired some of the most popular works in the National Gallery Collection. The latest addition to the best-selling Pocket Guides series leads the modern viewer through this important aspect of Western art. This lively and enjoyable guide explores how artists have drawn on mythology since the dawn of the Renaissance. Through a selection of key classical figures, Mari Griffith explains how artists used mythology for inspiration--in decorative panels for furniture, schemes for palaces, allegories, and non-narrative paintings of single figures. Among the masterpieces discussed are Titian’s Bacchus and Ariadne, and Rubens’s Judgement of Paris.