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University Library, University of Illinois at Urbana-Champaign

Krannert Art Museum: Exhibitions Guide Archive: Basel Abbas and Ruanne Abou-Rahme

This guide assembles research guides for past Krannert Art Museum shows.

About this Guide

This guide provides information and links to additional resources about the the materials in the Krannert Art Museum's exhibition, And yet my mask is powerful, January 25 through July 14, 2018 in the Contemporary Gallery (main level). If you need help finding additional information, please contact the Ricker Library.

About KAM and the Collection

Krannert Art Museum (KAM) is a museum of fine arts that houses the University of Illinois art collection. This link will provide you with more information about the museum, the collection, exhibitions, and events at KAM.

Ricker Library

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Ricker Library of Architecture & Art
208 Architecture Building
608 East Lorado Taft Drive
Champaign, IL 61820
(217) 333-0224
Subjects: Art & Architecture

About the Exhibition

Basel Abbas and Ruanne Abou-Rahme make collaborative work informed by the artists’ research with historical archives, literature, underground music, and film. And yet my mask is powerful stages encounters with materials from Palestine through installation, sound, cinema, and an artists’ book.

The exhibition has two parts. Part 1 is a video and sound installation. The camera follows a group of young people on a springtime walk through the ruins of a destroyed Palestinian village in Israel. We see them uncover masks, try them on, and descend into a cave. Staging new rituals of recuperation and discovery, their movements are framed by text the artists edited from Adrienne Rich’s award-winning poem Diving into the Wreck (1972). Transposed in English and Arabic, the text forgoes metaphors—seeking not the story of the wreck, but the wreck itself—and searches for what can possibly be retrieved from such a disastrous site. Rich’s feminist screed describes a solitary figure who draws on existing structures yet embarks alone toward a society without domination. Abbas and Abou-Rahme repurpose her words to question colonial legacies and occupation.

Part II resembles a scholarly study or museum storage encompassing both prehistoric time and the digital future. Neolithic limestone masks excavated near the Dead Sea and in the West Bank in the 1980s are “hacked” and reproduced using 3D technology. Printed images overlap with one another against deep blue walls while masks are unpacked, notations taken, plant specimens collected. The installation appears like a brain, inviting visitors to draw connections and peer into the artists’ multi-layered research process.

Abbas and Abou-Rahme are insurgent samplers of culture, digital bandits. And yet my mask is powerful opens possibilities for reimagining fraught histories through narratives other than endless crisis.

Basel Abbas and Ruanne Abou-Rahme’s work has been featured in exhibitions at the Palestinian Museum, the ICA Philadelphia, Portikus, Kunsthalle Wien, the Warsaw Museum of Modern Art, the ICA London, and the Sharjah, São Paulo, Istanbul, Gwangju, and Liverpool biennials. They were awarded the Abraaj Group Art Prize in 2016 and the Sharjah Biennial Prize in 2015. This exhibition is the United States premiere of And yet my mask is powerful.

Curator: Amy L. Powell, curator of Modern and Contemporary Art

Fair Use Guidelines

Materials accessed in this guide are provided for personal and/or scholarly use.  Users are responsible for obtaining any copyright permissions that may be required for their own further uses of that material.  For more information about fair use please refer to the College Art Association Code of Best Practices in Fair Use in the Visual Arts.