The Undergraduate Library Media Collection has films in many different Scandinavian languages, including Icelandic, Norwegian, Swedish, and Danish.
To find them, use the following search strategies.
1. Use the library catalog's Advanced Search and search by subject. To locate Scandinavian films, search for Motion Pictures, X as subject, replacing X with the desired language, e.g., Motion Pictures, Danish.
2. Search for the particular country or language as a keyword (e.g., Norway). In the language box, select the language of the film you are interested in (for instance, Norwegian). This will narrow your search results to only items in Norwegian. Then, use the "Material Type" drop-down menu to select Video/Film.
Example subject searches:
Explore the rest of this page for examples of relevant films held by the library.
Transnational Cinema in a Global North by
Scholarly writing on Nordic cinema has historically focused on such auteurs as Carl Dreyer and Ingmar Bergman. Recent work has neglected to contextualize contemporary Nordic film within the increasingly global climate of the five Nordic countries. While each country retains idiosyncratic themes and cinematic identity, Nordic cinema also shows increasing homogenization in production strategies, aesthetics, and audience taste. At the same time, contemporary Nordic films have enjoyed renewed popularity at home and have at the same time vaulted to global prominence. From heritage films like Babette's Feast and Pelle the Conquerer to the avant-garde Dogma movement led by Lars von Trier (Breaking the Waves, Dancer in the Dark), to the work of Lukas Moodysson and Aki Kaurismäki, a variety of Nordic films now have wide exposure. This collection of essays edited by Andrew Nestingen and Trevor G. Elkington is the first to focus on the globalization of Nordic film, particularly its trend toward transnational production procedures, themes, and actors. Wide in breadth, Nestingen and Elkington's book addresses the comparative cinematic histories of the Nordic countries, the factors that contributed to increased flexibility of national cinematic borders, and the effects of aesthetic and economic trends on the films themselves. To that end, a section of the book is dedicated to analyses of recently influential Nordic films, each piece incorporating transnational influences into its analysis to offer an up-to-date collection of Nordic film criticism. A groundbreaking and much-needed contribution to Nordic film studies, Transnational Cinema in a Global North: Nordic Cinema in Transition provides a unique addition to the growing body of work on transnationalism and globalization.
The Cinema of Scandinavia by
Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."
Nordic National Cinemas by
Nordic National Cinemas explores the film histories and cultures of Denmark, Finland, Iceland, Norway and Sweden. The authors examine each country's domestic film production, social and political context and domestic audiences from the beginning of this century to the twentieth century. The authors not only explore the work of internationally renowned figures such as Mauritz Stiller, Victor Sjostrom, Carl Dreyer and Ingmar Bergman, directors of such classics as Vampyr, Ordet, Wild Strawberries and Cries and Whispers, but also nationally important film makers such as August Blom, Bodil Ipsen, Lau Lauritzen and Nils Malmros, they also discuss contemporary film makers including Gabriel Axel, director of Babette's Feast, the Kaurismaki brothers, directors of The Match Factory Girl and The Leningrad Cowboys and the recently acclaimed Lars von Trier, director of Breaking the Waves.
Northern Constellations by
An anthology of essays on film from Denmark, Finland, Greenland, Iceland, Norway, and Sweden.
Historical Dictionary of Scandinavian Cinema by
Although relatively small, the northern countries of Scandinavia have made a disproportionately large contribution to world cinema. Indeed, some of their films are among the best known of all times, including The Seventh Seal, Dancer in the Dark, and The Girl with the Dragon Tattoo. And Scandinavian directors are also among the best known, just to mention Ingmar Bergman and Lars von Trier. But there is much more to the cinema of Denmark, Norway, Sweden, Finland and Iceland than that, and this book shows us what they have been accomplishing over more than a century from the beginnings of cinema until the present. The Historical Dictionary of Scandinavian Cinema shows just how long and busy this history has been in the chronology, starting in 1896. The introduction then describes the situation in each one of the component countries, all of which approached and developed the field in a similar but also slightly different manner. The dictionary section, with over 400 substantial entries, looks at the situation in greater detail, with over 400 substantial entries on major actors, directors and others, significant films, various genres and themes, and subjects such as animation, ethnicity, migration and censorship. Given its contribution to world cinema it is good to finally have an encyclopedia like this which can meet the interests of the scholar and researcher but also the movie fan.
A Companion to Nordic Cinema by
A Companion to Nordic Cinema presents a collection of original essays that explore one of the world's oldest regional cinemas from its origins to the present day. Offers a comprehensive, transnational and regional account of Nordic cinema from its origins to the present day Features original contributions from more than two dozen international film scholars based in the Nordic countries, the United States, Canada, Scotland, and Hong Kong Covers a wide range of topics on the distinctive evolution of Nordic cinema including the silent Golden Age, Nordic film policy models and their influence, audiences and cinephilia, Nordic film training, and indigenous Sámi cinema. Considers Nordic cinema's engagement with global audiences through coverage of such topics as Dogme 95, the avant-garde filmmaking movement begun by Danish directors Lars von Trier and Thomas Vinterberg, and the global marketing and distribution of Nordic horror and Nordic noir Offers fresh investigations of the work of global auteurs such as Carl Th. Dreyer, Ingmar Bergman, Lars von Trier, Aki Kaurismäki, and Roy Andersson. Includes essays on Danish and Swedish television dramas, Finland's eco-documentary film production, the emerging tradition of Icelandic cinema, the changing dynamics of Scandinavian porn, and many more
Insomnia
Based on the film "Insomnia" directed by Erik Skjoldbjærg; written by Nikolaj Frobenius and Erik Skjoldbjærg.
Originally released as a motion picture.
Special features: additional scenes with optional director's commentary; commentary by director Christopher Nolan in order of shooting sequence; commentary with Hilary Swank, production designer Nathan Crowley, editor Dody Dorn, cinematographer Wally Pfister and screenwriter Hillary Seitz; "Day for night": making-of documentary (8 min.); "180⁰": a conversation with Nolan and star Al Pacino (17 min.); "In the fog": cinematography and production design (6 min. each); "Eyes wide open": the insomniac's world (8 min.); stills gallery; theatrical trailer; enhanced features for PC DVD-ROM drives.
Nightwatch
Martin, a cash-strapped law student, takes a job as night watchman at the city morgue. But his peaceful graveyard shift becomes a time of terror when a serial killer begins wreaking havoc and leaving clues that point to Martin's possible guilt.
Swedish Film by
A compilation of carefully selected articles written by international film scholars, this record provides an in-depth look into the history of Swedish film. This scholarly account covers various phenomena, including the early screenings at the turn of the century, Swedish censorship, the golden age of silent films, 1930s’ comedies and melodramas, documentaries, pornography, and experimental films. In addition, this volume examines the work of important contributors, such as Ingmar Bergman, Stefan Jarl, and Peter Weiss, and discusses film policies of the new millennium.
Guide to the Cinema of Sweden and Finland by
This volume adds Sweden and Finland to the growing list of countries included in Greenwood Press' Reference Guides to the World's Cinema series. Both well known and other important but less known persons and films are included in the reference work which spans the silent film era to the 1990s. The volume is divided into two sections, one devoted to the Swedish entries and the other to the Finnish entries. An introduction to each section overviews the developments and trends in that particular country's film industry. Scholars of European film studies and of Scandinavian studies will appreciate the detailed information compiled in this one volume. Organized by country, the annotated entries are alphabetically arranged and include brief bibliographies and filmographies.
Guide to the Cinema of Sweden and Finland by
This volume adds Sweden and Finland to the growing list of countries included in Greenwood Press' Reference Guides to the World's Cinema series. Both well known and other important but less known persons and films are included in the reference work which spans the silent film era to the 1990s. The volume is divided into two sections, one devoted to the Swedish entries and the other to the Finnish entries. An introduction to each section overviews the developments and trends in that particular country's film industry. Scholars of European film studies and of Scandinavian studies will appreciate the detailed information compiled in this one volume. Organized by country, the annotated entries are alphabetically arranged and include brief bibliographies and filmographies.
Finland by
An important addition to Intellect's popular series, Directory of World Cinema: Finland provides historical and cultural overviews of the country's cinema. Over the course of their contributions to this volume, scholars from a variety of disciplines construct a collective argument that complicates the dominant international view of Finnish cinema as small-scale industry dominated by realist art-house films. The contributors approach the topic from a variety of angles, covering genre, art, and commercial films; independent productions; blockbuster cinema; and Finnish cinema's industrial and historical contexts. While paying heed to Finland's cultural specificity, the contributors also explore Finnish cultural industries within the broader context of international political, economic, artistic, and industrial developments. Together, they skillfully depict an ever-changing national film culture that plays a dynamic role in the global cinematic landscape. The Directory of World Cinema: Finland will therefore expand not only global interest in Finnish cinema but also the parameters within which it is discussed.
Finnish Cinema by
This book presents an expert analysis of the transnational aspects of Finnish cinema throughout its history. As a small nation cinema, Finnish film culture has, even at its most nationalistic, always been attached to developments in other film producing nations in terms of production and distribution as well as genres and aesthetics. Recent developments in film theory offer exciting new approaches and methodologies for the study of transnational phenomena in the field of film culture, both past and present. The authors employ a wide range of cutting edge methodologies in order to address the major issues involved in transnational approaches to film culture. Until recently, much of this research has focused on globalization and questions related to diasporic cinema, while transnational issues related to small nation film cultures have been marginalized. This study focuses on how small nation cinemas have faced the dilemma of contributing to the construction and maintenance of national culture and identity, while responding to audience tastes largely shaped by foreign cinemas. With Finland's intriguing political placement between East and West, along with the high portion of film history preserved in Finnish archives, this thoroughly contextualized multidisciplinary analysis of Finnish film history serves as an illuminating case study of the transnational aspects of small nation cinemas.
Cinema of Denmark by 
Small Nation, Global Cinema by
Small Nation, Global Cinema engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation. Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema—the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort’s concept of “small” nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach. Mette Hjort is professor of intercultural studies at Aalborg University.
