"In the wake of recent events highlighting anti-Black violence in Maryland, New York, Missouri, and other states, I view my performance research as echoed in viral videos displaying real-life accounts of Black bodies violently attacked in public space. The national consciousness on race, gender, and violence as mirrored through mainstream media news outlets, such as FOX News, New York Times, and The Washington Post, displays dispossessed bodies, often depicting these bodies as "threatening," "criminal," and therefore, "expendable." How does one fully construct identity in a culture of violence and hyper-surveillance?"

"The dissertation project examines the performance, perception, and representation of masculinity of the black male dancing body. I confront the prejudice against the male dancer within a Western theatrical dance tradition, while revealing how homosexuality and effeminacy make strange bedfellows in the public-private, on- and offstage perception of male dancers... I surmise, just as black people are the moral conscience of American democracy and freedom, and that no discussion of American history can occur without their presence; I, too, contend that gay men pose a similar relationship to understanding the performance of gender in society and culture."

This article examines the future of dance education and disabilities, specifically what dance teachers and studio owners can do to promote inclusivity and accessibility to physically disabled students.

"Most dance departments in the United States require rigorous study of traditional Western dance forms. This is common; many developed countries cultivate the art forms that reflect the aesthetics and philosophies of the majority culture in that nation. However, demographics in the United States have changed greatly over the past 50 years, with people of color now reproducing at higher rates than whites (U.S. Census 2013)... I argue that departments should embrace a more inclusive system that does not privilege particular dance forms."

"Through conversations and collaboration with other dancers of color and colleagues, we named some of our personal experiences in the dance world that reinforced systemic racism. Though this is not an exhaustive list, it sheds light on some problematic power structures that contribute to continued inequity in dance. Here are a few ways you may have participated in systemic racism in dance."