Unfixed : photography and postcolonial perspectives in contemporary art by
Located in Architecture & Art
Essays in Migratory Aesthetics by
Located in Architecture & Art
Cultures Crossed by 
Contemporary Chinese Art by
Located in Architecture & Art
American Encounters by
American Encounters is a long-awaited dynamic new narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid exchanges between high art and vernacular expression. The text emphasizes the intersections among cultures and populations, as well as the influences, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage. There was a readily perceived need for an up-to-date survey of American art that addressed the thematic, cultural, and historical concerns of the field in the 21st century. American Encounters offers a new narrative of American art organized around the theme of cross-cultural exchanges. It locates America at the cross-roads of cultural encounters between Asia, Africa, Europe, and the New World, for over five centuries. The authors do not treat traditions separately, rather they explore how peoples and cultures encounter and influence each other and then evolve based on an exchange of ideas, materials etc.
Postcolonial Modernism by
Located in Architecture & Art
Postcolonialism and Postsocialism in Fiction and Art by
Located in Architecture & Art
Migrations Arts and Postcoloniality in the Mediterranean by
Located in Architecture & Art
Art and Architecture in Postcolonial Africa by
Located in Architecture & Art
Postcolonising the Medieval Image by
Located in Architecture & Art
The First World Festival of Negro Arts, Dakar 1966 contexts and legacies by
"In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States."--Provided by publisher.
An Introduction to Post-Colonial Theory by
The first book of its kind in the field, this timely introduction to post- colonial theory offers lucid and accessible summaries of the major work of key theorists such as Frantz Fanon, Edward Said.Homi Bhabha and Gayatri Spivak. The Guide also Explores the lines of resistance against colonialism and highlights the theories of post-colonial identity that have been responsible for generating some of the most influential and challenging critical work of recent decades. Designed for undergraduates and postgraduates taking courses related to colonialisn or post-colonialism, the book summarieses the major topics and issues as well as covering the contributions of major and less familiar figures in the field.
Colonialism and the Object by
Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, Colonialism and the Object explores the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation. The book includes intensive case-studies of objects from India, Pakistan, New Zealand, China and Africa, all of which were collected by, or exhibited in, the institutions of the British Empire, and key chapters address issues of radical identity across cultural barriers, and the hybird styles of objects which can emerge when cultures meet. Colonialism and the Object is essential reading for all those interested in post-colonial theory, museum studies, material culture and design history.
The Postcolonial Museum by
This book examines how we can conceive of a 'postcolonial museum' in the contemporary epoch of mass migrations, the internet and digital technologies. The authors consider the museum space, practices and institutions in the light of repressed histories, sounds, voices, images, memories, bodies, expression and cultures. Focusing on the transformation of museums as cultural spaces, rather than physical places, is to propose a living archive formed through creation, participation, production and innovation. The aim is to propose a critical assessment of the museum in the light of those transcultural and global migratory movements that challenge the historical and traditional frames of Occidental thought. This involves a search for new strategies and critical approaches in the fields of museum and heritage studies which will renew and extend understandings of European citizenship and result in an inevitable re-evaluation of the concept of 'modernity' in a so-called globalised and multicultural world.
Postcolonial Theory and International Relations by
What can postcolonialism tell us about international relations? What can international relations tell us about postcolonialism? In recent years, postcolonial perspectives and insights have challenged our conventional understanding of international politics. Postcolonial Theory and International Relations is the first book to provide a comprehensive and accessible survey of how postcolonialism radically alters our understanding of international relations. Each chapter is written by a leading international scholar and looks at the core components of international relations - theories, the nation, geopolitics, international law, war, international political economy, sovereignty, religion, nationalism, Empire etc. - through a postcolonial lens. In so doing it provides students with a valuable insight into the challenges that postcolonialism poses to our understanding of global politics.
Contemporary Postcolonial Theory by
This book attempts to address the various arguments regarding postcolonial theory, and covers the writing of histories, the formations of canons, and the production of readers.
On Post-Colonial Futures by
In this groundbreaking work, Bill Ashcroft extends the arguments posed in The Empire Writes Back to investigate the transformative effects of postcolonial resistance and the continuing relevance of colonial struggle. He demonstrates the remarkable capacity for change and adaptation emanating from postcolonial cultures both in everyday life and in the intellectual spheres of literature, history and philosophy. The transformations of postcolonial literary study have not been limited to a simple rewriting of the canon but have also affected the ways in which all literature can be read and have led to a more profound understanding of the network of cultural practices that influence creative writing.
Discourse on Colonialism by
"Césaire's essay stands as an important document in the development of third world consciousness--a process in which [he] played a prominent role." --Library Journal This classic work, first published in France in 1955, profoundly influenced the generation of scholars and activists at the forefront of liberation struggles in Africa, Latin America, and the Caribbean. Nearly twenty years later, when published for the first time in English, Discourse on Colonialism inspired a new generation engaged in the Civil Rights, Black Power, and anti-war movements and has sold more than 75,000 copies to date. Aimé Césaire eloquently describes the brutal impact of capitalism and colonialism on both the colonizer and colonized, exposing the contradictions and hypocrisy implicit in western notions of "progress" and "civilization" upon encountering the "savage," "uncultured," or "primitive." Here, Césaire reaffirms African values, identity, and culture, and their relevance, reminding us that "the relationship between consciousness and reality are extremely complex. . . . It is equally necessary to decolonize our minds, our inner life, at the same time that we decolonize society." An interview with Césaire by the poet René Depestre is also included.
Post-Colonial Studies by
This best selling key guide, now in its second edition, provides an essential key to understanding the issues which characterize post-colonialism; explaining what it is, where it is encountered and why it is crucial in forging new cultural identities. As a subject, post-colonial studies stands at the intersection of debates about race, colonialism, gender, politics and language. Key topics covered include: Borderlands Transnational literatures Neo imperialism Neo liberalism Eco feminism. Post Colonial Studies: The Key Conceptsis fully updated and cross referenced throughout. With additional further reading this book has everything for students and anyone keen to learn more about this fascinating subject.
Orientalism by
More than three decades after its first publication, Edward Said's groundbreaking critique of the West's historical, cultural, and political perceptions of the East has become a modern classic. In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.
