Book Artists Index
Each name down below is a direct link to their website for your convenience.
Suggestions & Feedback Form
About This Page
The makers and distributors found across the tabs down below are noted here for additional interesting examples of artists' books and for how they fit in the wider context of some contemporary artist's practices. However, they're also noted here to serve as points of contact. Sometimes it's worth reaching out to ask someone about how they got to where they are with their materials, concepts, and investigative process, and often, people have a lot to say. It's also quite possible that you have your own works to share or are looking to acquire copies of artists' books too, in which case, the distributors down below might be of interest. But in any case, it's always good to remember that you can talk to people!
If you have any questions not for makers or distributors themselves, or perhaps, feel uncomfortable doing so directly yourself, please do feel free to also talk to us at Ricker about what's on your mind!
Book Artists
- Kameelah Janan Rasheed
- Colette Fu
- Masoumeh Mohtadi
- Alisa Banks
- Julie Chen
- Shirin Salehi
- Qiana Mestrich
- Antic-Ham
- Tia Blassingame
- Kameelah Janan Rasheed
As a learner, Rasheed grapples with the poetics, politics, and pleasures of the unfinished and uncontained. She is invested in Black storytelling technologies that invite us to consider ways of [un]learning that are interdisciplinary, interspecies, and interstellar. Because not all stories are for everyone, Rasheed’s work considers Black storytelling technologies in relation to the surveillance states, or how we tell stories that consider interiority, lenticularity (or varying modes of visibility and legibility), revision, and spiritual syncretism.
Engaging primarily with text*, Rasheed works across different substrates and compositional fields. She works on the page, on walls, and in public space to create associative arrangements of letters, words, and shapes that invite an embodied and iterative reading** process. Rasheed creates ecosystems of iterative and provisional projects. These projects include sprawling, “architecturally-scaled” xerox-based collages; large-scale public installations; publications; prints; digital archives; lecture-performances; library interventions; performance scores; poems/poetic gestures; and other forms yet to be determined.
* text as anything that can be read
** reading is a (cognitive, spiritual, socio-political, and somatic) process of decoding symbols to derive meaning
Rasheed, Kameelah Janan. “About Kameelah Janan Rasheed,” 2021. https://kameelahr.com/Bio-Press.
- Colette Fu
I create one-of-a-kind collapsible artist’s books that combine my photography with pop-up paper engineering. Pop-up and flap books originally illustrated ideas about astronomy, fortune telling, navigation, the anatomy of the body and other scientific principles. This history prompted me to construct my own books reflecting ideas on how our selves relate to society today.
Growing up in New Jersey, I was not proud of my Chinese heritage. After college, I went to Kunming, the capital city of my mother's birthplace in Yunnan Province, China to teach English. Literally translating as “South of the Clouds,” Yunnan is China’s most southwestern Province, sharing borders with Tibet, Burma, Laos, and Vietnam. With snow-capped mountains to the Northwest and tropical rainforests to the South, Yunnan is rich in natural resources and has the largest diversity of plant life in China. This diversity extends it its population as well. While in Yunnan I discovered that my great-grandfather had not only helped establish the university where I was teaching but was a member of the powerful black Yi tribe, and the governor and general of Yunnan during the transitional years of WWII. I stayed in Yunnan for three years; it was these experiences that helped me find a new sense of pride and identity and encouraged me to pursue a profession as a photographer and artist.
With the help of a 2008 Fulbright fellowship, I traveled once again to Yunnan, specifically to photograph for a pop-up book of the twenty-five ethnic minority groups that reside there. 25 of the 55 minority tribes of China reside in Yunnan and comprise less than 9% of the nation’s population, with the Han representing the majority. Many people inside China and most people outside are unaware of this cultural richness. Since then I have returned to China to extend my project outside of Yunnan Province. Inspiration from recent trips to India, Morocco, and Kyrgyzstan are incorporated into newer work.
Constructing pop-ups allows me to combine intuitive design and technical acuity with my love of traveling as I try to understand the world around me. With pop-up books, I want to eliminate the boundaries between book, installation, photography, craft, and sculpture. Traveling through the mountainous Yi landscape, one old Yi man told me, “Although an eagle flies far into the distance, its wings will fold back. For the Yi, the ultimate goal of life is to find the path of your ancestors.” Another Yi man advised me, “Don’t follow the black road, which is madness, dampness, illness, and the ghost road. You should follow the white road, which leads you back to your ancestors.”
Fu, Colette. “Colette Fu Pop-up Books.” COLETTE FU 傅 三 三. Accessed February 22, 2021. https://www.colettefu.com/statement.
- Masoumeh Mohtadi
Human beings’ communication system is based on a linguistic system more than any other system such as clothing, food, body languages, etc. According to Derrida, however, language is an enigmatic, dynamic, and incomplete tool for communication as it’s impacted by many factors. For this reason, even though we talk to each other and make use of identical words, their meaning is not alike to us. Words are sources of misunderstanding; thus, it may be safe to say that as similarities in life experiences, society and culture increase, individuals can perceive more similar meanings of identical messages; although streaks of misunderstanding still exist.
Admitting that we learn, add, destroy, and finally fail to find meanings, I am seeking a solution beyond the conventional system of language for communication and transference of words’ meanings. To find signifiers which can be substituted for linguistic signifiers, I referred to facts and images; at times, I used five senses, specifically the sense of smell, to replace words and made use of origami as an independent linguistic system. I have presented majority of these in the form of handmade books by me.
Whether or not we believe in the idea of author’s death, to comprehend writings of a book, we have to be familiar with the corresponding linguistic conventions of one of the 7,000 living languages across the world. Books that I have presented, create chain of signifiers in the audience mind without any pre-agreed convention; they free the reader’s imagination and while they are not specifically looking for a common understanding, they make the connection possible.
Mohtadi, Masoumeh. “About Me | Masoumeh Mohtadi.” Accessed February 22, 2021. http://mail.masoumehmohtadi.com/index.php/aboutus.
- Alisa Banks
Alisa Banks is a visual artist who creates sculptural books, textile collage, and multi-media work to address identity politics; she frequently incorporates fibers and found materials that reference traditional craft techniques. Her work has been exhibited in Canada, Europe, Asia, and throughout the US, and is housed in several private and public collections, including the Smithsonian Institution, the US Library of Congress, and the New York Public Library.
Alisa received her BS in Medical Technology from Oklahoma State University and her MFA in Art from Texas Woman’s University. She lives in Dallas, TX.
Banks, Alisa. “About Alisa Banks.” Alisa Banks, 2017. https://www.alisabanks.com/about-the-artist.
- Julie Chen
Julie Chen established Flying Fish Press in 1987, when she was a graduate student in Book Art at Mills College in Oakland, California, and she has been publishing her work under this imprint ever since. Most of the work published at the press are authored by Julie although she has also collaborated on artist’s book projects with other artists including Lois Morrison, Barbara Tetenbaum and Clifton Meador. More information on the history of Flying Fish Press, including many book images and essays, can be found in Reading the Object: Three Decades of Books by Julie Chen, co-published by Flying Fish Press and the Mills College Center for the Book in 2016.
Chen, Julie. “About – Julie Chen | Flying Fish Press,” 2020. https://flyingfishpress.com/about/.
- Shirin Salehi
Shirin Salehi (b. 1982, Tehran), is a Spanish-Iranian visual artist, art researcher and teacher living and working in Madrid and New York. Her work is mainly developed in the field of drawing in relation to other languages as printmaking, sculpture/ceramics and artist books, working with poetry with what she has a strong relationship due to her Iranian cultural and biographical background. She has worked as art teacher for almost a decade and has written essays on the poetics of the artistic process. Her workshops are also a continuous reflection of these perspectives. She has held conferences in various schools of Art and institutions such as the Prado National Museum. Though her first academic education and profession belong to the science field (she achieved her bachelor of science as a telecommunication engineer and worked for some years as IT engineer) since 2009 has dedicated her full time to the artistic field, achieving a Master in Art and Research from the faculty of Fine Arts of the Complutense in Madrid as well as a technician degree in printmaking techniques. In 2019 her project, along with artist Inma Herrera, received the Pilar Juncosa & Sotheby’s Biennial Award for Artistic Creation from the Pilar and Joan Miró Foundation. In 2015 her work was awarded with the first prize at the Ankaria Foundation Artist book Award, and in 2014 she was recipient of the Pilar Banús Prize at the 22nd National Printmaking Awards from the Contemporary Spanish Printmaking Museum. Her work has also been awarded in Italy in two occasions: Combat Prize Special Award (2015) and Acqui Giovani Award at Acqui Terme printmaking Biennial (2013). In the last ten years, she has spent various periods working in various residency programs such as Académie de France à Madrid, Il Bisonte Foundation in Florence, and Fundação Bienal de Cerveira in Portugal. Her work has been exhibited in Spain, Italy, Portugal, Belgium, and Germany.
Salehi, Shirin. “Biography - Shirin Salehi Visual Artist.” Accessed February 22, 2021. https://shirinsalehi.com/Biography.
- Qiana Mestrich
Qiana Mestrich is a photography-focused, interdisciplinary artist based in New York. Born to parents from Panama and Croatia, Mestrich's work often references Black, mixed-race experiences from her perspective as a first-generation American.
She has been exhibited worldwide including the London Art Fair’s Photo50 in 2018 and the BRIC Biennial Volume III in 2019. Mestrich’s work is held in the Peggy Cooper Cafritz collection of contemporary art and private collections in the United States.
Knowledge sharing and community building is a vital part of Mestrich’s practice. In 2007 she founded Dodge & Burn: Decolonizing Photography History (est. 2007), an arts initiative that aims to diversify the medium’s history by advocating for photographers of color. Dodge & Burn began as a blog and now functions as a monthly critique group that meets in person in New York City and virtually. Her forthcoming book based on the blog’s past interviews is to be published by Routledge/Taylor & Francis.
Mestrich has written essays on photography for exhibition catalogs and published other critical writing in art journals such as Light Work’s Contact Sheet, En Foco’s Nueva Luz and SPE’s exposure. She is also co-editor of the book How We Do Both: Art and Motherhood (Secretary Press), a diverse collection of honest responses from contemporary artists who dare to engage in the creative endeavors of motherhood and making art.
A graduate of the ICP-Bard College MFA in Advanced Photographic Practice, Mestrich received her B.A. with a concentration in photography from Sarah Lawrence College. She is an adjunct faculty in photography and social media at the Fashion Institute of Technology (SUNY) and is represented in New York by sepiaEYE gallery.
Mestrich, Qiana. “Bio - Qiana Mestrich,” 2020. https://qianamestrich.com/Bio.
- Antic-Ham (Hyemee Kim)
Antic-Ham (Hyemee Kim) was born in Seoul, South Korea in 1974, studied 'Play Writing' in the Seoul Art College and photography.
Since then she makes artist books with photographs, collage, drawings, silkscreen printing and writing. She had various artist book exhibitions and participated in artists' book fairs in London, Oxford, Paris, Frankfurt, San Francisco, Los Angeles, New York and Seoul.
She lives in Seoul and in Achill Island, Ireland and makes book collaborations with Francis Van Maele from redfoxpress.
Kim, Hyemee. “About Antic-Ham.” Accessed February 22, 2021. http://www.anticham.com/about.html.
- Tia Blassingame
Proprietor of Primrose Press, Tia Blassingame is a book artist and printmaker exploring the intersection of race, history, and perception. Utilizing printmaking and book arts techniques, she renders racially-charged images and histories for a nuanced discussion on issues of race and racism. Blassingame holds a B.A. in Architecture from Princeton University, M.A. in Book Arts from Corcoran College of Art + Design, and M.F.A. in Printmaking from Rhode Island School of Design. She has been a teaching artist at the National Building Museum, Smithsonian Institution, Glen Echo, Pyramid Atlantic, and University of Maryland at College Park. Blassingame was a curatorial intern at Smithsonian Museum of American History, and served as the Image Coordinator for the Race & Ethnicity in Advertising--America: 1890-Today, an Advertising Education Foundation-Smithsonian Institution project. She has been an artist-in-residence at Yaddo, Santa Fe Art Institute (SFAI), the Andy Warhol Preserve, the International Print Center New York (IPCNY), and MacDowell Colony. Her artist's books and prints can be found in library and museum collections around the world including Library of Congress, Yale University, the Metropolitan Museum of Art, Tate Britain, and State Library of Queensland. In 2019, she founded the Book/Print Artist/Scholar of Color Collective, which has over thirty member. Blassingame is an Assistant Professor of Art at Scripps College, where she teaches Book Arts and serves as the Director of Scripps College Press.
Blassingame is represented by Vamp & Tramp Booksellers.
She can be reached at primroseletterpress @ gmail.com.
Blassingame, Tia. “About Tia Blassingame.” Primrose Press, 2021. https://www.primrosepress.com/about-1.
Artists' Books Distributors
- Printed Matter
- Exile Books
- Booklyn
- La Impresora
- Sming Sming Books
- Laurel Doody Library Supply
- Women's Studio Workshop
- Vice Versa Art Books
- Waterfall
- Printed Matter
Founded in 1976, Printed Matter, Inc. is the world’s leading non-profit organization dedicated to the dissemination, understanding and appreciation of artists’ books and related publications.
First established in Tribeca by a group of individuals working in the arts (among them artist Sol LeWitt and critic Lucy Lippard), Printed Matter was developed in response to the growing interest in publications made by artists. Starting in the early 60s, many of the pioneering conceptual artists (as well as performance, process, environment, sound and other experimental media artists) began to explore the possibilities of the book form as an artistic medium. Large-edition and economically produced publications allowed experimentation with artworks that were affordable and could circulate outside of the mainstream gallery system. Printed Matter provided a space that championed artists’ books as complex and meaningful artworks, helping bring broader visibility to a medium that was not widely embraced at the time.
After 13 years on Lispenard Street in Tribeca, Printed Matter moved to a location on Wooster Street in SoHo in 1989. The spacious bookshop with large storefront windows allowed for the development of expanded public programming, including more exhibitions and events, and contributed to the cultural vibrancy of the neighborhood. In 2001 Printed Matter made its move to Chelsea, which had since become New York City’s contemporary arts district. In 2015, the store relocated to its current space on 11th Avenue. The new location features a much larger bookstore spread across a ground floor and a large public stairwell leading to a mezzanine level. The space features a dedicated exhibition area, as well as increased office space for its growing staff. Printed Matter’s new home provides a much more comfortable environment for visitors to engage with the ever-growing inventory, and for a busy schedule of public programs.
Artists’ books continue to provide a remarkable reflection of contemporary artistic practices – tracing and even leading many of the most important developments in the historical trajectory. In the face of the ongoing proliferation of digital media and information, there has been an astounding resurgence over the past several years in both artists’ publishing and public interest. In tandem with this truly international phenomenon, Printed Matter founded the NY and LA art fairs (in 2004 and 2013 respectively), which have become the world’s largest venues for the distribution, investigation and celebration of artists books and art publishing. It is thrilling that Printed Matter’s mission continues to be resilient, and remains more relevant than ever.
Printed Matter. “Mission & History | Printed Matter, Inc.,” 2021. https://www.printedmatter.org/about/mission-history.
- EXILE Editions
EXILE Editions is a new publishing imprint initiated by EXILE Books. EXILE Editions seeks to publish exclusive special editions and artist’s books from local, national, and international artists we collaborate with.
EXILE Books is an experimental artist’s bookstore and project space which recently moved to the Little Haiti neighborhood of Miami. We produce publications and site-specific events such as exhibitions, performances, lectures, fairs, and workshops in order to advance circulation and engagement with artist’s publications. EXILE seeks to establish a pervasive print culture in Miami by creating hubs for independent publishing that represent and serve our diverse community.
Launched in September 2014, EXILE Books traversed Miami as a pop-up artist’s bookstore for three years, establishing residency at over 20 locations. Conceived by visual artist and curator Amanda Season Keeley, EXILE is an experimental project activating public spaces through community engagement. Our collaborative nature is based on forming partnerships between arts and cultural organizations while providing a generative platform for artists and small presses to promote their print projects.
EXILE Books is made possible through the generous support of our sponsors and collaborators: Metabolic Studio, Florida Department of State Cultural Affairs, Miami's Downtown Development Authority, The Knight Foundation Arts Challenge, Printed Matter Inc., Feast Miami, Sonos, Wavemaker Grants, and The Miami Foundation.
Books, EXILE. “About | Exile Books.” EXILE Books, 2021. https://exilebooks.com/pages/about.
- Booklyn
Booklyn’s mission is to promote artists’ books as art and research material and to assist artists and organizations in documenting, exhibiting, and distributing their artwork and archives within the academic market. We specifically assist artists and organizations committed to environmental and social justice. We work towards our mission by documenting, exhibiting, promoting, and distributing their work within educational institutions worldwide. We envision a world in which art and bookmaking are tools for education, personal agency, community engagement, and activism.
Founded in 1999, Booklyn is an artist-run, non-profit 501 (c) (3), consensus-governed, artists and bookmakers organization headquartered at the Brooklyn Army Terminal in Sunset Park, Brooklyn. Over two decades, Booklyn has created a global network connecting hundreds of artists and organizations with educational institutions. Through that network, Booklyn has distributed thousands of books, artworks, archival collections, and box sets used by an audience reaching into the hundreds of thousands. We work directly with artists and social justice organizations to produce, document, and prepare work for acquisition by leading academic, artistic, and cultural institutions worldwide.
Through Booklyn’s Exhibition Program, we engage with our local community through exhibitions that focus on handmade and print-based works on paper that address urgent, socially-driven topics. Our Emerging Curators program ensures that our exhibitions are fresh, diversified, and forward thinking. Booklyn presents free and low cost book-, print-, and zine-making workshops hosted onsite or at like-minded partner sites, and we distribute free printmaking and bookmaking resources online. Our publishing imprint allows us to extend the cultural reach of our programs beyond the local community and institutions and into the hands of readers all identities and locations.
Booklyn. “About Booklyn.” Booklyn. Accessed April 19, 2021. https://new.booklyn.org/about/.
- La Impresora
Bienvenidxs a nuestro archivo digital. Somos un taller de experimentación editorial y gráfica en Santurce, Puerto Rico. Nos especializamos en la producción y reproducción de libros y publicaciones independientes diversas con tecnología Risograph. Nuestro trabajo se compone de un proyecto editorial dedicado a la publicación de poesía y libros de artista en distintos formatos y un taller de servicios editoriales y de impresión en risografía a pequeña escala.
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Welcome to our digital archive. We are an editorial and graphic experimentation workshop in Santurce, Puerto Rico. We specialize in the production and reproduction of books and independent publications with Risograph technology. We run an editorial project dedicated to the publication of poetry and artist books in different formats, and a workshop of small-scale editorial and Risograph printing services.
Una de las comunidades que más se beneficia de nuestros servicios está conformada por artistas que usan el medio de la publicación como parte de su práctica artística. De forma regular hacemos publicaciones para organizaciones especializadas en lap promoción del arte contemporáneo (Beta Local, El Lobi, Km. 0.2) y también junto con artistas independientes, quienes se inclinan por la risografía gracias a sus cualidades cercanas al grabado y por la posibilidad de hacer publicaciones seriadas.
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Among the communities we serve: artists who publish as part of their artistic practice. On a regular basis we help design and print publications for contemporary art organizations and projects (Beta Local, El Lobi, Km. 0.2). We also work together with independent artists, who are inclined towards serial risograph printing thanks to its resemblance to printmaking.
La Impresora. “Start | La Impresora,” 2019. https://cargocollective.com/laimpresora.
- Sming Sming Books
Sming Sming Books is the publishing studio of artist Vivian Sming, experimenting with books as art, discourse, exhibition, and archive. Formed in 2017, the studio designs and publishes a wide range of artists' books, zines, and editions in close collaboration with artists whose works and ideas inform design, material, and printing choices. Sming Sming Books is invested in creating books from practices that are challenging to represent on paper. The studio is committed to promoting critical discourse and advancing cultural equity through the format of publishing.
Sming Sming titles have been collected by over eighty libraries, museums, and universities, nation- and worldwide. They can also be found on the bookshelves, nightstands, and armchairs in hundreds of homes next to other books, objects, and ideas. Select books have been featured in aperture, Art in America, BOMB Magazine, Hyperallergic, and the New York Times. In 2018, Sming Sming Books received the Shannon Michael Cane Memorial Award from Printed Matter, Inc. and in 2020, the San Francisco Art Book Fair Publishing Grant. Past workshops and lectures have been held at ArtCenter, Asia Art Archive in America, California College of the Arts, Columbia University, UC Berkeley, Vancouver Art Book Fair.
Our online store features books, zines, editions, and printed ephemera from artists and artist-publishers that we have worked with or just simply admire.
Our logo artwork is by Joseph Lee.
Sming Sming Books & Objects. “About | Sming Sming Books.” Sming Sming Books. Accessed February 23, 2021. https://www.smingsming.com/pages/about.
- Laurel Doody Library Supply
Laurel Doody Library Supply was founded to help with the challenges facing artists publishing on a small scale. The project works to distribute these rare and careful publications beyond artists’ social circles, while providing for their long-term safekeeping.
Once a year, the project assembles a group of artist books and exhibition-related material and donates full sets to seven public archives in France, the United States, Puerto Rico, and New Zealand. In exchange, these partner archives agree never to deaccession the works and to tag them as part of the Laurel Doody Library Supply collection: an archive within archives. The annual deposit includes collected ephemera from artist-run galleries, audio recordings on vinyl, and self-published zines. These selected materials serve as a method of preservation, following a conversation as it unfolds through art. With this effort in mind, the project commissions a new artist book each year.
The Library Supply continues the legacy of Laurel Doody, a project space run out of an apartment in Miracle Mile, Los Angeles for twelve months in 2015–2016, with the intention of both tracing a loose network of friends, spaces and shows and extending these ongoing conversations to a wider audience.
Laurel Doody Library Supply. “Statement.” Accessed March 1, 2021. https://ldlibrarysupply.com/statement.
- Women's Studio Workshop
Artists’ books are their own medium. They can have a traditional book structure with a cover and sequential pages, or they can be sculptural objects, or elaborately folded constructions. Whatever their form, the books published by WSW are created by artists, hand printed in limited edition, and are thoroughly engaging. This type of work presents artists with a way of developing aesthetic ideas, telling personal stories, or making political or social commentary.
An early proponent of the medium, WSW has produced over 200 limited edition artists’ books, and is the largest publisher in North America. Our books are in collections world-wide, including nine institutions that are repositories for all our publications: Indiana University (Bloomington), Rochester Institute of Technology, University of Delaware, Vassar College, Virginia Commonwealth University, Yale University, University of Michigan, The Library of Congress, and Bucknell University.
WSW’s artists’ books—chosen through an open, international juried competition—reflect a wide range of subject matter, cultural diversity, and aesthetic perspectives of the artists who come to work in our studios. Our books are characterized by the combination of medias available at WSW, and may incorporate handmade paper, letterpress, silkscreen, photography, intaglio, or ceramics.
Artists’ books do not easily fit into any one category. An open selection process continues to be the most vital element in implementing our book arts grants. This democratic process has resulted in a wonderful and varied collection, because all submissions are considered, and the selection is made by a rotating jury of practicing book artists. The jury changes annually, and always includes at least one artist who has previously been awarded a residency with WSW.
Women’s Studio Workshop. 2021. “Hand Printed Artists’ Books.” Women’s Studio Workshop. 2021. https://wsworkshop.org/artists-books/.
- Vice Versa Art Books
Vice Versa is one of the largest and oldest distributions fully dedicated to art books in Germany. Based in Berlin, Vice Versa specializes in architecture, art, design, fashion, film, photography and theory, and seeks to create wide-ranging visibility for its programme. We carry a carefully curated list of publishers, who share our passion for printed matter. We sell books and magazines to consumers, bookshops, museums, libraries and companies in Germany, Austria, and Switzerland and fulfill orders worldwide. We take care of all matters around storage, fulfilment and accounting and rely on a network grown over twenty years. If you have any inquiries please contact us. We look forward to hearing from you.
Vice Versa Art Books. “About Vice Versa Art Books,” 2017. http://viceversaartbooks.com/page/info/.
- Waterfall
Waterfall emphasizes on the instantaneous aesthetic experiences and small pulsations brought on by daily life. By presenting the details of these moments, the magazine reinforces readers’ own sensitivity and appreciation for the beauty of daily routine based on each individual’s own life experience.
Originally, Waterfall is an online collection combines with editorial and curating projects since 2006. Focus on art and culture in daily-life, inviting artists around the world to contribute their works on different topics in varied form. Mainly in photography, but also accomplished with paintings, installations, videos or essays. In 2009, Waterfall has published the first printing copy as a thematic journal. After its first edition, entitled “What’s Your Function in Life?”, it has successively received great attentions and responses. Also the invitations to participate in book fairs around the world such as Offprint Book Fair in Paris and London Art Book Fair, Tokyo Art Book Fair etc.
Started 2013, Waterfall now turn into a publishing house/design studio, working on design projects and other commissions. Also, apart from the self-titled art journal Waterfall, it has commenced publishing artist books and other publishing collaborations as well. In November 2013, Waterfall has launched a new quarterly magazine NOT TODAY, a magazine about the "space" between art and life.
Waterfall. “About Waterfall.” Waterfall, 2021. http://www.hiwaterfall.com/about/.