1.Marleigh Grayer Ryan, Japan’s First Modern Novel, “Ukigumo” of Futabatei Shimei, Center for Japanese Studies, (Ann Arbor: University of Michigan, 1990), 197-272
2. Higuchi Ichiyo, “Muddy Waters,” trans. Robert Danly, from In the Shade of Spring Leaves (New Haven: Yale University Press, 1981) 218-40, 320-23
3. “Memorandum of Agreement from J.E. De Becker, Yoshiwara: The Nightless City (New York: Frederick Publication, 1960) 302-311
4. Higuchi Ichiyo, “Thirteenth Night,” trans. Robert Danly, from In the Shade of Spring Leaves (New Heaven: Yale University
5. Ozaki Kōyō, the Demon Gold from
6. Izumi Kyoka, “The Holy Man of Mount Koya” from Columbia Anthology of Modern Japanese Literature, Ed. J. Thomas Rimer and Van C. Gessel, (New York: Columbia University Press, 2005), 66-105
7. Tamura Toshiko, “A Woman Writer”, To Live and to Write, ed Yukiko Tanaka (Seattle, WA: The Seal Press, 1987), 5-18
8. Tomioka Taeko, “Women’s Language and the National Language,” in Woman Critiqued: Translated Essays on Japanese Women’s Writing, trans by Rebecca Copeland, (
9. Tamura Toshiko, “The Vow,” translated by Edward Fowler, from The Modern Murasaki, ed Rebecca Copeland and Melek Ortabasi, (NY: Columbia University Press 2006), 358-74
10. Miyamoto Yuriko, “Nobuko,” To Live and to Write, ed Yukiko Tanaka (Seattle, WA: The Seal Press, 1987), 47-64
11. Kono Taeko, “The Last Time,” This Kind of Woman: Ten Stories by Japanese Women Writers, 1960-76, Ed Yukiko Tanaka and Elizabeth Hanson, (NY: Perigree, 1982), 43-67
12. Tayama Katai, The Girl Wacher Columbia Anthology of Modern Japanese Literature, Ed. J. Thomas Rimer and Van C. Gessel, (
13. Mori Ogai, Vita Sexualis, tr Kazuji Ninomiya and Sanford Goldstein, (Rutland VT
14. Mishima Yukio, Confessions of a Mask, trans. Meredith Weatherby, (NY: New Directions), 1-33
15. Edogawa Ranpo, “The Human Chair” in
16. Edogawa Ranpo, “The Caterpillar,” Modanizumu, Modernist Fiction from
17. Tanizaki Junichiro, “The Secret” trans. Anthony Chambers, in The Gourmet Club: A Sextet, (Kodansha International, 2003), 47-68
18. Jennifer Robertson, Takarazuka: Sexual Politics and Popular Culture in Modern
19. Nagai Kafu, “The
20. Mishima Yukio, “Patriotism” in Death in Midsummer and other stories,
21. Inagaki Taruho, “The Story of R and S,” Modanizumu, Modernist Fiction from
22. John Treat, “Yoshimoto Banana’s Kitchen, or the Cultural Logic of Japanese Consumerism” from Women, Media and Consumption in Japan, ed by Lise Skov and Brian Moeran, (Honolulu: University of Hawaii, 1995), 274-298