Krannert Art Museum: Making Place for the Arts at Home: Performance and Midcentury Modern Architecture: Resources

After You Left / They Took It Apart by Chris Mottalini While more conventional art can be tucked neatly away on gallery walls, houses have a much larger footprint. And when a home outlives its most basic function of providing shelter, a decision has to be made as to whether it is ultimately worth saving. Modernist homes like those designed by Paul Rudolph face an additional challenge as products of a stark, concrete-laden brutalist style now seen by many to be cold and uninviting. Photographer Chris Mottalini visited three abandoned Rudolph homes awaiting demolition. His photos present these onetime symbols of opulence and power at their most vulnerable and defeated. Rich, full-color photos show sunlight playing across shattered windows, dusty stairs, and ruined living rooms, presenting a view of modernism that few have seen before. The photos speak to the ephemeral nature of contemporary taste, and its uneasy relationship with history, as well as the consequences of modernism on our visual lexicon. And in a final coda, the pictures themselves serve to preserve these masterpieces long after time and tastes move on. 

Architects' Dream Houses by Jean-Claude Delorme; Thibaut Cuisset (Photographer) "In this sumptuously illustrated volume, architect Jean-Claude Delorme explores ten exceptional houses constructed by the precursors and pioneers of twentieth-century architecture. Each of these extraordinary residences is utterly unique and affirms the strong individual vision of its creator. Ranging from the iconoclastic house Sir John Soane built for himself in London in the 1790s to the austere yet dramatic villa Adalberto Libera constructed for writer Curzio Malaparte atop a rocky spur on Capri in the 1930s, Architects' Dream Houses tells the compelling stories of these dwellings, of the visionaries who conceived them, and of the shifting aesthetic environment in which they were built."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Architects at Home by John Mutlow (Contribution by) * Features the homes of a range of leading architects from around the world, including the United States, United Kingdom, Australia, New Zealand, Scandinavia, and Europe * Explores the interior design techniques, art and decorative pieces, furnishings, materials, and technology incorporated into the homes of those who know the most about them * Revised and updated, this edition collects together more than 40 works, beautifully presented with rich and glorious color photography throughout This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world's best-known architects. Not only do these pages offer a rare glimpse into each architect's personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain. Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.

Atlas of Mid-Century Modern Houses by Dominic Bradbury A groundbreaking global survey of the finest mid-20th-century homes - one of the most popular styles of our time A fascinating collection of more than 400 of the world's most glamorous homes from more than 290 architects, the Atlas of Mid-Century Modern Houses showcases work by such icons as Marcel Breuer, Richard Neutra, Alvar Aalto, and Oscar Niemeyer alongside extraordinary but virtually unknown houses in Australia, Africa, and Asia. A thoroughly researched, comprehensive appraisal, this book is a must-have for all design aficionados, Mid-Century Modern collectors, and readers looking for inspiration for their own homes.

A Home of One's Own by Burcu Dogramaci (Editor); Andreas Schätzke When architects design a house for themselves, the often tense relationship between clients and builders is usually absent. That is why in many such buildings the architect-designer's artistic stance and political position, preferences and antipathies, temperament and character are more pronounced than usual. Moreover the architectonic theories, debates and trends of an epoch also leave their traces in them in a particular way. Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood (1922), Richard Neutra in Los Angeles (1932), Ernst May near Nairobi (1937), Walter Gropius in Lincoln, Massachusetts (1938), Bruno Taut in Istanbul (1938), Ernö Goldfinger in London (1939), Josep Lluís Sert in Locust Valley, New York (1949), Max Cetto in Mexico City (1949), and Marcel Breuer in New Canaan, Connecticut (1948 and 1951).

Housing and Neighborhoods by Harvey Choldin; Dan A. Chekki (Series edited by); William Michelson; David Popenoe This book is a selection of edited papers, most of which were initially presented at an international conference held under the auspices of the Ad Hoc Committee on Housing and the Built Environment of the International Sociological Association. It represents a relevant sample of the literature on recent developments in and current research on housing and neighborhoods. It focuses attention on the nature of housing and urban research at present and gives a sense of the directions in which the field is evolving.

The Iconic American House by Dominic Bradbury; Richard Powers (Photographer) Some of the world's greatest architects, including Walter Gropius, Frank Lloyd Wright and Ludwig Mies van der Rohe, have used their talents to create groundbreaking innovations in American residential architecture over the past 120 years. Though wide-ranging in style, these houses share a remarkable sensitivity to site and context; appreciation of local materials; experimentation with form, materials, and technology; and understanding of clients' needs. Spanning the length and breadth of the United States, The Iconic American House features fifty of the most important, timeless, and recognizable houses designed since 1900. With pithy text and fresh, vibrant illustrations, this book presents a lavish array of architectural masterpieces designed by architects such as Philip Johnson, Richard Neutra, Peter Eisenman and Thomas Gluck. Specially commissioned and stunning photographs, floor plans, drawings and architect biographies ensure that it is perfect for students, professionals, design aficionados and anyone who dreams of building a house of their own.

Key Houses of the Twentieth Century by Colin Davies It provides accurate scale plans of every floor, together with elevations, sections, and site plans where appropriate, for each house. All have been specially drawn for the purpose and are based on the most up-to-date information and sources. Amplified with full-color views of the houses, a concise text explains the significant architectural features of each building and the influences it shows or generated. Cross-references to other buildings in the book highlight the various connections between these key houses. The introduction discusses the idea of an architectural canon of houses and gives an overview of the development of the house in the twentieth century.The quality and number of the drawings allow the houses to be understood in detail and, together with the authoritative text and images, make this book indispensable for all students of modern architecture. As an added bonus, the book includes a CD-ROM containing digital files of all the drawings.

Little White Houses by Dianne Harris

Mid-Continent Modern by Phillip Kalantzis Cope This book documents the contributions of architects Jack Sherman Baker, John Gordon Replinger, A. Richard Williams, Robert Louis Amico, and Jeffery S. Poss to the Midwest's built environment. All were keenly aware of the prairie landscape of Central Illinois, its vast vistas, and the prismatic forms of houses, barns, and granaries that punctuate the horizon. Together, we tell the story of their work, the "Champaign School of Mid-Century Architecture," and the people who live, use, and care for these buildings.

Modern in the Middle by Susan Benjamin; Michelangelo Sabatino; Pauline Saliga (Foreword by) The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism - the private residence. Modern in the Middle: Chicago Houses 1929-75explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients - typically middle-class professionals, progressive in their thinking - helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study - until now.

The New Modernist House by Patricia Callan The intuitive design, sun-lit spaces, and tranquil vibe of modernist houses have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture? The New Modernist House presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of the period's heavyweights--including Anatol Kagan, Alistair Knox, and Ernest Fooks--have been sensitively updated by today's creative innovators. Alongside stories of the passionate homeowners, architects, and collaborators who have given these homes new life, a historical overview and section on practical considerations inform those drawn to a modernist dream house. This colorful volume is both a useful resource for those embarking on their own renovation journey, and a sourcebook of inspiration for delighting in moments of nostalgia.

Tastemaker by Monica Penick

Women and the Making of the Modern House by Alice T. Friedman

Dance Collage: Essays Collected in Honor of Margaret Erlanger by Ariana Monica Schwartz (editor)

Dancing Around the Bride by Carlos Basualdo (Editor); Erica F. Battle (Editor); Reinaldo Laddaga (Contribution by); Paul Franklin (Contribution by); Calvin Tomkins (Contribution by) An examination of the interwoven lives and works of Duchamp and four of America's most important postwar artists This fascinating book explores the interwoven lives, radical art, and shared experimental spirit of Marcel Duchamp and four of America's most important postwar artists: composer John Cage, choreographer Merce Cunningham, and visual artists Jasper Johns and Robert Rauschenberg. The publication traces the relationships among all five of these artists by mapping their intersections and examining the depth of their artistic exchanges. At the heart of the publication is an anthology of key texts from selected interviews, magazine articles, and book excerpts, by scholars, critics, and the artists themselves, that together narrate the younger generation's first connections to Duchamp and his work, which would profoundly redefine his legacy as well as the entire field of contemporary art. A new text by Calvin Tomkins provides an insightful first-person account of his encounters with these artists at a key moment in the 1960s. The book also includes the first extensive chronology that recounts the lives, art, and common projects of this influential group of artists.

John Cage (Ex)Plain(Ed) by Richard Kostelanetz John Cage's long and productive life (1912-1992) is presented here, with an analysis of his impact and influence on other artists and on culture in general. This book covers all his major works, from his early piano music and environmental pieces to his writings, audio works, visual art and radical belief that all sound is music.

Leap Before You Look by Helen Molesworth; Ruth Erickson (Contribution by) A dynamic new look at the legendary college that was a major incubator of the arts in midcentury America In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making artistic experience central to learning. Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly.   Leap Before You Look is a singular exploration of this legendary school and of the work of the artists who spent time there. Scholars from a variety of fields contribute original essays about diverse aspects of the College--spanning everything from its farm program to the influence of Bauhaus principles--and about the people and ideas that gave it such a lasting impact. In addition, catalogue entries highlight selected works, including writings, musical compositions, visual arts, and crafts. The book's fresh approach and rich illustration program convey the atmosphere of creativity and experimentation that was unique to Black Mountain College, and that served as an inspiration to so many. This timely volume will be essential reading for anyone interested in the College and its enduring legacy. Published in association with the Institute of Contemporary Art, Boston Exhibition Schedule: The Institute of Contemporary Art, Boston (10/10/15-01/24/16) Hammer Museum, UCLA (02/21/16-05/14/16) Wexner Center for the Arts, Ohio State University (09/17/16-01/01/17)

Love, Icebox by John. Cage; Laura Kuhn (Contribution by); Emily Martin (Photographer) Cage's passionate, distraught and affectionate letters to Cunningham provide a vivid portrait of the start of their life together These early letters from John Cage to Merce Cunningham will be revelatory, for while the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully revealed. In the 39 letters of this collection, spanning 1942-46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham's 19. Their relationship was purely that of teacher and student, and Cage was also very much married. It was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy's School of Design when Cunningham passed through town as a dancer with the Martha Graham Company, appearing on stage on March 14, 1942. Cage's letters, which begin in earnest a week later, are increasingly passionate, distraught, romantic and confused, and occasionally contain snippets of poetry and song. They are also more than love letters, as we see intimations that resonate with our experience of the later John Cage. Love, Icebox takes its shape from these letters--transcribed, chronologically ordered, and in some instances reproduced in facsimile. Laura Kuhn, Cage's assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds a foreword, afterword and running commentary. Photographic illustrations of their final 18th Street loft in New York City, as well as personal and household objects left behind, remind us of the substance and rituals of their long-shared life.

Martha Graham: Dance on Film by Martha Graham "One of the great artistic forces of the twentieth century, performer, choreographer, and teacher Martha Graham influenced dance worldwide. Criterion presents a sampling of her stunning craft, all collaborations with television arts-programming pioneer Nathan Kroll. A Dancer's World (1957), narrated by Graham herself, is a glimpse into her class work and methodology. Appalachian Spring (1958) and Night Journey (1961) are two complete Graham ballets, the first a celebration of the American pioneer spirit, scored by Aaron Copland, the second a powerfully physical rendering of the Oedipus myth. These are signature Graham works and tributes to the art of the human body."--Container.

Meiji Kabuki by Samuel L. Leiter A 2023 Choice Reviews Outstanding Academic Title This book is an annotated collection of English-language documents by foreigners writing about Japan's kabuki theatre in the half-century after the country was opened to the West in 1853. Using memoirs, travelogues, diaries, letters, and reference books, it contains all significant writing about kabuki by foreigners--resident or transient--during the Meiji period (1868-1912), well before the first substantial non-Japanese book on the subject was published. Its chronologically organized chapters contain detailed introductions. Twenty-seven authors, represented by edited versions of their essays, are supplemented by detailed summaries of thirty-five others. The author provides insights into how Western visitors--missionaries, scholars, diplomats, military officers, adventurers, globetrotters, and even a precocious teenage girl--responded to a world-class theatre that, apart from a tiny number of pre-Meiji encounters, had been hidden from the world at large for over two centuries. It reveals prejudices and misunderstandings, but also demonstrates the power of great theatre to bring together people of differing cultural backgrounds despite the barriers of language, artistic convention, and the very practice of theatergoing. And, in Ichikawa Danjuro IX, it presents an actor knowledgeable foreigners considered one of the finest in the world.

Merce Cunningham: Common Time by Merce Cunningham (Artist); Fionn Meade (Editor); Joan Rothfuss (Editor); Olga Viso (Foreword by); Carlos Basualdo (Text by) This volume, published in conjunction with the Walker Art Center and MCA Chicago exhibition 'Merce Cunningham: Common Time' (8 February - 10 September 2017), reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance praxis, including the development of site-specific dance, the use of technology as a choreographic tool, and the radical separation of sound and movement in dance. It features ten new essays by curators and historians of music, art history, performance studies and dance as well as interviews with contemporary choreographers - Beth Gill, Maria Hassabi, Rashaun Mitchell and Silas Riener - who address Cunningham's continued influence. These are supplemented by numerous rarely published archival photographs, reprints of texts by Cunningham, Cage and other key dancers, artists and scholars, several detailed appendices, and an extensive illustrated chronology placing Cunningham's activities and those of his collaborators in the context of the 20th century, particularly the expanded arts scene of the 1960s and 1970s. This book is an essential volume for anyone interested in contemporary art, music, and dance.

New York City Ballet Choregraphy & Couture by Marc Happel; Pari Dukovic (Photographer); Sarah Jessica Parker (Foreword by) Celebrating the art forms of ballet and fashion, this beautiful book explores the creative collaborations between New York City Ballet and the top fashion designers of our age, including Virgil Abloh, Christopher John Rogers, Anna Sui, and Valentino, among others. Featuring more than thirty contemporary fashion designers, New York City Ballet Choreography & Couture highlights their distinctive work for ballet. From the shorts suits of Thom Browne accommodating the movement of dancers, and the leather harness detailing of Prabal Gurung to the baroque flounces of Sarah Burton for Alexander McQueen or the jewel-encrusted slip dresses of Carolina Herrera, this enchanting volume highlights how fashion design is adapted for dance to amplify movement and music. The stunning photography by Pari Dukovicfeatures breathtaking images of the dancers in motion, along with detail shots highlighting the couture elements of the costumes. Author Marc Happel, NYCB's Director of Costumes, has collected the designers' original sketches along with quotes discussing their process and inspiration for each ballet. A foreword by Sarah Jessica Parker, and essays by Tonne Goodman of Vogue and Patricia Mears of FIT further illuminate the creative collaborations between design and dance. New York City Ballet, which celebrates its 75th anniversary this year, has been collaborating with prominent fashion designers since its inception. From the first Fall Fashion Gala in 2012 when renowned choreographers Peter Martins and Christopher Wheeldon collaborated with Valentino, through the present, these ballets are celebrated as collaborations between choreographers and some of the biggest names in fashion. Now New York City Ballet Choreography & Couture brings ten years of artistic vision to life.

Shōzō Satō and the Interculturation of Kabuki and Western Theatre by Donohue, Peter Morgan