Accompanying the first major American retrospective exhibition of Yayoi Kusama's work, and an exhibition at Tate Modern in London, this volume offers a definitive monograph on Japan's most famous living artist. It features a wealth of works from all periods in Kusama's career, as well as essays by various international curators and critics, discussing Kusama's years in New York, her career after her return to Japan, her installation works and the psychoanalytic import of her art.

This revised and expanded edition of the 2000 monograph, which is arguably still one of the most comprehensive studies on her work to date, has been augmented by an essay by Catherine Taft and a collection of new poems by the artist.

The most comprehensive book devoted to the incomparable and iconic work of Yayoi Kusama. Yayoi Kusama, now in her eighties, has become a vital force in contemporary art and an influence on generations of artists. In addition to studies of the development of her artistic vocabularies across different media, the book includes ephemera, sketches, and photographs from the artist's extensive archive that have never been seen before.

This book signifies the first-ever monograph on the astounding 40-year career of this established, deeply daring, and tirelessly experimental artist, who represented Japan at the Venice Biennale in 1993. It was published to coincide with an exhibition in 2000 at the Serpentine Gallery.

This book explores Yayoi Kusama's best-known and most spectacular series--the Infinity Mirror Rooms--and its influence on the course of contemporary art over the past 50 years.

Yayoi Kusama: In Infinity offers an extensive overview of the major stages of Kusama's work: from her abstract, intensively hand-crafted Infinity Net paintings (which made Kusama's initial reputation in New York) to the soft, eroticized furniture sculptures covered in hundreds of white, penis-like forms, ending with Kusama's recent works that shape whole spaces as intense environments. This volume also includes new essays discussing Kusama's artistic and literary work and four of Kusama's own poems.

This catalog reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls, and furniture covered in myriad multicolored stickers put there by viewers over the course of the exhibition. Texts include a "Hymn to Yayoi Kusama" by art critic and poet Akira Tatehata and a poem by the artist herself.

Infinity Net paints a multilayered portrait of this fascinating artist. Taking us from her oppressive childhood in postwar Japan to her present life in the psychiatric hospital where she voluntarily stays--and is still productive--Kusama's autobiography offers insight into the persona of mental illness that has informed her work.

The title of this collection of essays, Sex and Disability, unites two terms that the popular imagination often regards as incongruous. The major texts in sexuality studies, including queer theory, rarely mention disability, and foundational texts in disability studies do not discuss sex in much detail. Queering disability studies, while also expanding the purview of queer and sexuality studies, these essays shake up notions about who and what is sexy and sexualizable, what counts as sex, and what desire is. At the same time, they challenge conceptions of disability in the dominant culture, queer studies, and disability studies.

Based on the pioneering New York Times series, About Us collects the personal essays and reflections that have transformed the national conversation around disability. Boldly claiming a space in which people with disabilities can be seen and heard as they are--not as others perceive them--About Us captures the voices of a community that has for too long been stereotyped and misrepresented.

The vividly told, gloriously illustrated memoir of an artist born with disabilities who search for freedom and connection in a society afraid of strange bodies.

From the dandy with black skin to astronauts and aliens dressed in typical African colors and materials, This publication is the first substantial book on Shonibare's work. Besides illustrating his major works from 1994 until now, the book features a number of in-depth essays on important aspects of his work that are always touched upon but never fleshed out, including the relevance of recent art history, the trade-in Dutch Wax textiles, the history of the dandy, the sexuality and leisure of the aristocracy in Victorian times, and the rise of modernism in Nigeria.

Offering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean. Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress.

Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in the conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself.

Elaborate costumes, intricate patterns, and striking figural forms fill the work of Yinka Shonibare, a world-renowned artist who has roots in both London and Lagos, Nigeria. Shonibare's works reflect aesthetic features of the Victorian age while undertaking a deep exploration and interrogation of issues tied to colonialism and its aftermath.

Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in the conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations.

To Ride the Public Buses: The Fight That Built the Movement is the first in the "Disability Rag Reader" series, anthologies of articles on particular topics that appeared in the Disability Rag 1980-1996. This book begins in the 1980's and chronicles the fight for equal opportunity rights for people with disabilities.