Tamarah Begay
Navajo
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IDS+A's WebsiteTamarah Begay is the founder and principal-in-charge of Indigenous Design Studio + Architecture, an Indigenous owned firm based out of Albuquerque, NM.
IDS+A. Navajo Technical University Class Building. Chinle, AZ.
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American (INDIAN) EnterpriseHILL, LIZ. 2012. “American (INDIAN) Enterprise.” Native Peoples Magazine 25 (2): 23–29. https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=73315232.
Douglas Cardinal
Blackfoot, Ojibwe, and Mohawk
Douglas Cardinal, St. Mary’s Parish, 1968. Alberta, Canada Image Credit: Courtesy of Douglas Cardinal Architect
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The Architecture of Douglas Cardinal
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Call Number: Q. 720.92 B631AISBN: 0920897460Publication Date: 1993-01-01 -
The Native Creative Process
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In this book, the two authors share their visions and insights into the creative process from the perspective of their Native ancestry.
ISBN: 0919441262Publication Date: 1992-11-24
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Radical attitudes the architecture of Douglas Cardinal This documentary follows the career of Douglas Cardinal from his radically curvilinear St. Mary's Church in Red Deer, Alberta to the Canadian Museum of Civilization in Gatineau and the Simthsonian's National Museum of the American Indian in Washington, D.C.
Chris T. Cornelius
Oneida
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Studio: Indigenous WebsiteChris Cornelius is the founding principle of Studio: Indigenous, a firm based out of Milwaukee, WI.
Chris T. Cornelius. Wiikiaami. 2016-17. Columbus, IN.
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New Architecture on Indigenous Lands
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ed in--or boxed out. But in the post-1996 era of more flexible housing policies, Native peoples have assumed a key role in the design of buildings on tribal lands. The result is an architecture that finally accords with the traditions and ideas of the people who inhabit it.A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk'Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T'lisalagi'lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture.With close attention to details of design, questions of tradition, and cultural issues, and through interviews with designers and their Native clients, the authors provide an in-depth introduction to the new Native architecture in its many guises--and a rare chance to appreciate its aesthetic power.
Call Number: Q. 720.8997 M297nISBN: 9780816677443Publication Date: 2013-07-12
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Interview with Chris Cornelius of Studio:IndigenousDayer, Carolina, Ivan Rupnik, and Jacob Mans. 2021. “Interview with Chris Cornelius of Studio:Indigenous.” Journal of Architectural Education 75 (1): 34–36. doi:10.1080/10464883.2021.1859884.
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SERENITY IN STEEL: Chris Cornelius’s Wiikiaami“SERENITY IN STEEL: Chris Cornelius’s Wiikiaami.” 2019. Public Art Review, no. 58 (January): 100–104. https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=137495168.
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De-Colonizing Indigenous HousingCornelius, Chris. 2022. “De-Colonizing Indigenous Housing.” Journal of Architectural Education 76 (2): 200. doi:10.1080/10464883.2022.2097556.
Nicholas Dalton
Māori
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TOA Architects' WebsiteNicholas Dalton is the director and founder of Tāmaki Makaurau Office Architecture Limited (TOA Architects), a firm based out of Auckland, New Zealand. When describing their approach; "We value the Tangata – People; Whenua – our Land and its history; Aroha – Heart; and Wairua – Spirit. These are the concepts that inspire our architecture. And TOA takes seriously its role as Kaitiaki - Guardians of our clients' and communities' projects, as well as the wider environment."
TOA Architects. MAUNGĀRONGO. 2019. Otūmoetai, NZ.
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Our Voices
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Our Voices: Indigeneity and Architecture is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
Call Number: Q. 724.6 K539oISBN: 9781940743493Publication Date: 2018-08-01
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New Architecture of the South Pacific: How the Māori Worldview is Changing New Zealand's Built EnvironmentHarvey, Justine. 2019. “New Architecture of the South Pacific: How the Māori Worldview Is Changing New Zealand’s Built Environment.” Architectural Design 89 (6): 94–97. doi:10.1002/ad.2508.
Tammy Eagle Bull
Ogala Lakota
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Encompass Architects' WebsiteTammy Eagle Bull is the president of Encompass Architects, a firm based out of Lincoln, NE.
Gila River Indian Community Tribal Governance Center. Sacaton, Arizona.
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Our Voices
by
Our Voices: Indigeneity and Architecture is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
Call Number: Q. 724.6 K539oISBN: 9781940743493Publication Date: 2018-08-01
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New Architecture on Indigenous Lands
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Black Elk speaks of the "square boxes" his people were forced into, and Winona LaDuke of the "boxes of mints" on Native lands. As long as the government was deciding what tribal buildings should look like, Native custom and culture were bound to be boxed in--or boxed out. But in the post-1996 era of more flexible housing policies, Native peoples have assumed a key role in the design of buildings on tribal lands. The result is an architecture that finally accords with the traditions and ideas of the people who inhabit it. A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk'Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T'lisalagi'lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture. With close attention to details of design, questions of tradition, and cultural issues, and through interviews with designers and their Native clients, the authors provide an in-depth introduction to the new Native architecture in its many guises--and a rare chance to appreciate its aesthetic power.
Call Number: Q. 720.8997 M297nISBN: 9780816677443Publication Date: 2013-07-12
Ryan Gorrie
Anishinaabe
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Indigenous Design StudioIndigenous Design Studio at the Brook McIlroy firm based out of Canada. Gorrie is the principal architect for the studio.
Brook McIlroy. Spirit Garden. 2020. Thunder Bay, ON.
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Rainbow Butterfly: A Pavilion in Winnipeg Is a Place of Commemoration--But Also a Welcoming Space for Gentle ReconciliationLam, Elsa. 2022. “Rainbow Butterfly: A Pavilion in Winnipeg Is a Place of Commemoration--But Also a Welcoming Space for Gentle Reconciliation.” Canadian Architect 67 (3): 66. https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=156721489.
Elisapeta Heta
Māori
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Jasmax's WebsiteElisapeta Heta is the principal and leader of Waka Māia (their Maori design team) at Jasmax, a firm based out of New Zealand.
Jasmax. Western Springs College Ngā Puna O Waiōrea Redevelopment. 2019. Tāmaki Makaurau Auckland.
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Elisapeta HetaHeta, Elisapeta. 2021. “Elisapeta Heta.” Architecture New Zealand, July, 94–95. https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=151118822.
Johnpaul Jones
Choctaw and Cherokee
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Jones & Jones Architects, Landscape Architects and Planners WebsiteJohnpaul Jones is an architect for Jones & Jones Architects, a firm based out of Seattle, WA.
Southern Ute Museum. Ignacio, Colorado. Jones & Jones Architects, Landscape Architects and Planners.
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The Land Has Memory
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In the heart of Washington, D.C., a centuries-old landscape has come alive in the twenty-first century through a re-creation of the natural environment as the region's original peoples might have known it. Unlike most landscapes that surround other museums on the National Mall, the natural environment around the Smithsonian's National Museum of the American Indian (NMAI) is itself a living exhibit, carefully created to reflect indigenous ways of thinking about the land and its uses. Abundantly illustrated, The Land Has Memory offers beautiful images of the museum's natural environment in every season as well as the uniquely designed building itself. Essays by Smithsonian staff and others involved in the museum's creation provide an examination of indigenous peoples' long and varied relationship to the land in the Americas, an account of the museum designers' efforts to reflect traditional knowledge in the creation of individual landscape elements, detailed descriptions of the 150 native plant species used, and an exploration of how the landscape changes seasonally. The Land Has Memory serves not only as an attractive and informative keepsake for museum visitors, but also as a thoughtful representation of how traditional indigenous ways of knowing can be put into practice.
Call Number: 973.0497 L22ISBN: 9780807832646Publication Date: 2009-02-01
Alfred Waugh
Fond du Lac Denesuline First Nation
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Formline Architecture + Urbanism's WebsiteFormline is based out of West Vancouver, BC. It is an architecture studio known for design excellence in the Indigenous Architecture, innovative wood structures, educational, and cultural buildings.
Alfred Waugh. Capilano University Aboriginal Gathering Place Project. 2014. North Vancouver, BC. Formline Architecture.
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New Architecture on Indigenous Lands
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Black Elk speaks of the "square boxes" his people were forced into, and Winona LaDuke of the "boxes of mints" on Native lands. As long as the government was deciding what tribal buildings should look like, Native custom and culture were bound to be boxed in--or boxed out. But in the post-1996 era of more flexible housing policies, Native peoples have assumed a key role in the design of buildings on tribal lands. The result is an architecture that finally accords with the traditions and ideas of the people who inhabit it. A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk'Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T'lisalagi'lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture. With close attention to details of design, questions of tradition, and cultural issues, and through interviews with designers and their Native clients, the authors provide an in-depth introduction to the new Native architecture in its many guises--and a rare chance to appreciate its aesthetic power.
Call Number: Q. 720.8997 M297nISBN: 9780816677443Publication Date: 2013-07-12
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Profiles: Canada’s First Nations DesignersLewington, Jennifer. 2017. “Profiles: Canada’s First Nations Designers.” Canadian Architect 62 (5): 26–30. https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=123052526.
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First Steps.MCKAY, KENT, and SHAFRAAZ KABA. 2012. “First Steps.” Canadian Architect 57 (10): 27–30. https://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=83233957.