This page is meant to provide resources to learn about color theory, as well as some web resources for more hands on learning.
Best Practices for Graphic Designers, Color Works by
This is the go-to guide for designers as it outlines and details the essential color design skills needed to create successful, meaningful, and aesthetically compelling designs. Along with hands-on projects, it offers unique insights into strategy and business when working in the real world with real clients. Color Works starts with basic information on color practices and fundamentals, and then delves more deeply into theory and application on a project-by-project basis. Illustrated with real-world projects and case studies, this book offers a behind-the-scenes take on the design process and the necessary steps to go from concept to final outcome, including the challenges encountered along the way.
The Designer's Dictionary of Colour [UK Edition] by
The Designer's Dictionary of Colour provides an in-depth look at 30 colours key to art and graphic design. Organized by spectrum, in colour-by-colour sections for easy navigation, this book documents each hue with charts showing colour range and palette variations. Chapters detail each colour's creative history and cultural associations, with examples of colour use that extend from the artistic to the utilitarian-whether the turquoise on a Reid Miles album cover or the avocado paint job on a 1970s Dodge station wagon. A practical and inspirational resource for designers and students alike, The Designer's Dictionary of Colour opens up the world of colour for all those who seek to harness its incredible power
Interaction of Color by
A luxurious two-volume edition with the complete original plates, text, and commentary "Absolutely stunning."--Felix Salmon, Reuters Josef Albers's masterwork, Interaction of Color, is one of the most influential books on color ever published. Originally issued in 1963 as a limited-edition set of commentary and 150 silkscreened color plates, the book introduced generations of students, artists, designers, and collectors to Albers's unique approach to complex principles. This beautiful edition brings Interaction back into classrooms and studios and onto bookshelves, where it will find an eager new audience. It replicates Albers's revolutionary exercises, explaining concepts such as color relativity and vibrating and vanishing boundaries through the use of color, shape, die-cut forms, and movable flaps that illustrate his astonishing demonstrations of the changing and relative nature of color. Also included for the first time are studies from the Albers archive, produced by the artist's students in the early 1960s. This celebration of Albers's legendary achievements is an essential addition to any serious art library. Published in association with the Josef and Anni Albers Foundation
Printing Colors in Graphic Design--CMYK and PMS by
Colour has the ability to instantly transform the look and feel of a graphic. In printing, there are two main colour systems that are used in producing colour in print: CMYK and PMS. CMYK is a subtractive colour model which works by masking colours on a light background. PMS, or Pantone Matching System is used for producing spot colours accurately. Together they are able to achieve almost any desired effect through complementary systems. This book demystifies their use while providing a breathtaking display of colour in print by some of the world's most talented designers.
Type and Color by
To create his award-winning multicolored typefaces, Mark van Wageningen first returned to the past for his research: wood-type printing. His subsequent form and color studies led to a series of popular digital typefaces and awards for typographic excellence from the Type Directors Club. In Type & Color, the pioneering typographic designer provides all the tools you will need to participate in the hottest typography trend: designing with multicolored fonts. This manual, aimed at a broad spectrum of graphic design professionals, offers analyses of chromatic type specimens, instructions for multilayer type design, and applications across a range of print and digital media. From display fonts to running text, discover how color can give words expressive new possibilities.
The V&a Book of Colour in Design by
A beautifully presented survey of design and the applied arts, explored not by use, material, form or date - but by colour The V&A Book of Colour in Design is attractively simple: a celebration and exploration of colour, as revealed through objects in the world-class collections of the Victoria and Albert Museum in London. Structured by colour, it offers fascinating insights into the choices made by designers and makers from across the world and throughout history. Each chapter begins with a brief introduction that considers the history, symbolism, and use of an individual colour. Objects - from items of jewelry, textiles, glassware and ceramics to furniture and more - are reproduced in a visual selection that explores the varied hues of every colour. However different objects within each section may be in their detail and meaning, they are united by their common colour, revealing surprising connections between them. Throughout, narrative captions bring together disparate items from across the V&A's collection to explore the universal significance of colour in art and design. Beautifully designed, this highly visual, colour-led survey of design and the applied arts is a compelling sourcebook with broad appeal for anyone interested or involved in all aspects of visual culture.
